Course Title | C/E | PO 01 | PO 02 | PO 03 | PO 04 | PO 05 | PO 06 | PO 07 | PO 08 | PO 09 | PO 10 |
ACADEMIC TURKISH - I | E | | | | | * | * | | | | |
ACADEMIC TURKISH - II | E | | | | | | | | | | |
ADVANCED ANALYSIS | E | | * | * | | | * | | * | * | |
ADVANCED NUMBER THEORY | E | | * | * | | | * | | | | |
AEGEAN CIVILIZATIONS | E | | * | * | | | | | | | |
ANATOLIAN CIVILIZATIONS | E | * | * | * | * | | | | | * | * |
ANATOLIAN HANDICRAFTS | E | | | | | | * | | | | * |
ANATOLIAN TURKISH ART | E | | | | * | | * | | | | * |
APPLICABLE GEOMETRY | E | * | * | * | | * | | * | * | * | |
APPLIED COMPUTER | E | * | | * | | * | * | * | | | * |
ARCHAEOLOGY WORLD | E | * | | * | | * | * | | | | |
ARTS I | E | | | | | | | | | | |
ARTS II | E | * | * | * | * | | | | | | |
BASIC COMPUTER USAGE | E | | | | | * | * | * | | | * |
BASIC CONCEPTS OF THE PHYSICS | E | | | | | | | | | | * |
BEHAVIOR DISORDERS | E | * | * | * | | * | | * | | | |
BEHAVIORAL DISORDERS | E | | * | | * | | | | | | |
BYZANTINE ART IN ANATOLIA | E | * | * | * | | | | | | | |
C++ PROGRAMMING | E | * | | | | * | | * | | | |
CELL AND LIFE | E | * | * | * | * | | * | * | | | |
CHEMICAL PRODUCTS AND LIFE | E | | | | | | | | | | * |
CHEMISTRY IN OUR LIVES | E | * | | * | * | | | | | | |
COMMUNICATION | E | * | * | * | * | * | * | * | * | * | |
CONTEMPORARY TURKISH WORLD | E | * | | * | | | | | | | |
CREATIVE DRAMA | E | * | * | * | * | | | | | | |
CULTURAL HISTORY OF ANCIENT MEDITERRANEAN | E | | | | | | * | | | | |
CURRENT PROBLEMS OF TURKISH COMMUNITIES AND TURKIC DIALECTS | E | * | * | * | * | | * | * | * | * | |
DEMOCRACY AND POLITICS | E | | | | | | * | | | | |
DEMOCRATIC DEVELOPMENTS AND TURKEY | E | | * | | | | | | | | |
DEVELOPMENTAL PSYCHOLOGY | E | * | * | | | * | * | | | | |
DIFFERENCE EQUATIONS AND APPLICATIONS | E | | * | * | | | * | * | * | * | |
DIFFERENTIAL GEOMETRY | E | * | * | * | * | * | | | * | * | |
DISCRETE GROUPS | E | | * | * | | * | * | * | * | * | |
DISCRETE MATHEMATICS | E | | | | | * | | * | * | * | |
DIVERGENT SERIES THEORY | E | | * | * | | | * | | * | * | |
DOMESTIC ANIMALS | E | | | | | | * | * | | | * |
EARLY MODERN AND MODERN HISTORY OF PHILOSOPHY | E | | | | | | * | | * | * | |
ENERGY AND ENERGY RESOURCES | E | | | * | | | | | | | * |
ENGLISH - I | E | | | * | * | | * | | | | |
ENGLISH - II | E | | | * | * | | * | | | | |
ENGLISH WRITING TECHNIQUES | E | | | | | | * | | * | * | * |
ENVIRONMENTAL CONTAMINATION AND CHEMISTRY | E | | | | | | | * | | * | * |
ETHICS AND PROFESSIONAL ETHICS | E | * | * | | | * | * | | * | * | * |
FAMILY AND COMMUNITY | E | | | | | | | | * | * | * |
FIBONACCI, LUCAS NUMBERS AND THEIR APPLICATIONS | E | | * | * | | | * | | * | * | |
FORM CURRENT LIFE TO CLASSICAL POETRY | E | * | * | | | | | | | | |
FORTRAN PROGRAMMING | E | * | | * | | | | * | | * | |
FOURIER ANALYSIS | E | * | * | * | * | * | * | * | * | * | * |
FRACTAL GEOMETRY | E | | * | * | | | | * | * | * | |
FRENCH - I | E | | | | * | * | * | | | | |
FRENCH - II | E | | | | * | * | * | | | | |
FUNCTIONAL ANALYSIS | E | | * | * | | | * | | * | * | |
GENERAL PHILOSOPHY | E | | | | | | * | * | | | |
GENERAL SOCIOLOGY | E | | | | | | | * | | | * |
GEOPOLITICS | E | * | * | * | | * | * | * | * | * | * |
GERMAN - I | E | | | | * | * | * | | | | |
GERMAN - II | E | | | | * | * | * | | | | |
GERMAN CULTURE HISTORY | E | * | * | | * | * | * | * | * | * | |
GLOBALIZATION AND CULTURAL HERITAGE | E | | | | | | | | | | |
GRAPH THEORY | E | | * | * | | * | * | * | * | * | |
GROUP THEORY | E | | * | * | | | * | | | * | |
GUIDING ON THE TURKISH WORLD LITERATURE | E | | * | * | * | | * | * | * | | |
GYMNASTICS | E | | * | * | * | | | | | | |
HISTORY OF ANCIENT AND MEDIEVAL PHILOSOPHY | E | * | * | | * | | | | | | |
HISTORY OF CHEMISTRY | E | | * | | | | | * | | * | * |
HISTORY OF HUMAN RIGHT | E | | | | | | | | | * | |
HISTORY OF THE DAILY LIFE | E | | | | | | | | * | * | * |
INDIVIDUAL INSTRUMENT | E | | | | | * | | | | | |
INTEGRAL TRANSFORMS | E | | * | * | | | * | * | * | * | |
INTRODUCTION TO ENGLISH LITERATURE | E | | | | | | | | * | * | * |
INTRODUCTION TO FRENCH LITERATURE | E | | | | | | | | * | | |
INTRODUCTION TO NUMERICAL ANALYSIS | E | | * | * | | * | | * | | * | |
INTRODUCTION TO PSYCHOLOGY | E | | * | | | | * | | | | |
INTRODUCTION TO THE TIME SCALES CALCULUS | E | | * | * | | | * | | * | * | |
ISLAMIC ART PAINTING | E | | | | | | * | | | | |
LINEAR SPACES | E | | * | * | | | * | | * | * | |
LINGUISTICS MOVEMENTS | E | | | | * | | * | * | * | * | * |
LITERATURE AND FILM ADAPTATIONS | E | * | * | * | | | * | * | | * | |
LITERATURE AND MYTHOLOGY | E | | | | | | | | * | * | * |
MAP LITERACY | E | * | * | | * | | * | * | | * | |
MATLAB PROGRAMMING | E | * | | * | | * | | * | | * | |
MEASURING AND INTEGRATION | E | | * | * | | | * | | * | * | |
MEDICAL PHYSICS | E | | | | | | * | | | | * |
MEDICINAL PLANTS | E | * | * | * | | | | | | * | |
MIMAR SINAN AND HIS WORKS | E | * | | * | * | | * | | | | |
MOTION GEOMETRY | E | * | * | * | * | * | | * | * | | |
MUSIC I | E | | | | | * | | | | | |
MUSIC II | E | | | * | * | | | * | | | |
MYSTICAL WORLD OF TURKISH | E | | | | | | * | | | * | |
NATURE AND ENVIRONMENT | E | * | * | * | * | | | * | * | | |
NATURE OF LIGHT | E | | | * | | | | | | | * |
NATURE, PHYSICS AND SKY | E | | | | | * | | | | * | * |
NUMERICAL SOLUTIONS OF DIFFERENTIAL EQUATIONS | E | * | * | * | * | * | * | * | * | * | |
OTTOMAN CULTURAL HISTORY | E | | * | | * | | | * | | | |
OTTOMANS AND EUROPE | E | * | | * | | | | | | | |
PAINT AND DYESTUFFS | E | | | | | * | | | | | * |
PARAMETER DEPENDENT INTEGRALS | E | | * | * | | * | * | * | * | * | |
PERSONALITY PSYCHOLOGY | E | | | | | | | | | * | * |
PHOTOGRAPHY | E | * | | * | * | | | | | | |
PHYSICAL EDUCATION - I | E | | | * | | | * | | | | |
PHYSICAL EDUCATION - II | E | | | | | | | | * | * | |
PHYSISC AND TECHNOLOGY | E | * | * | * | | | | | | | |
POPULAR BIOLOGY | E | * | * | * | * | | | | | | |
POPULAR CHEMISTRY | E | | * | | | * | | | | * | * |
POPULAR GEOGRAPHY | E | * | * | * | * | * | * | | * | * | |
PRIMCIPLES OF MATEMATICAL ANALYSIS | E | | * | * | | | * | | * | * | |
PROBABILITY AND STATISTICS | E | | * | * | | | * | | * | * | |
PROJECTIVE GEOMETRY | E | * | * | | * | | | | * | | |
PSYCHOLOGICAL COUNSELING AND GUIDANCE | E | * | * | * | * | | * | | * | * | |
PSYCHOLOGICAL COUNSELING AND GUIDANCE 2 | E | | | | | * | * | * | | * | * |
PSYCHOLOGY OF LEARNING | E | * | | * | | * | | * | | | |
RELATIONSHIP BETWEEN THE OTTOMAN ART OF WESTERN ART | E | | | * | * | | | | | | |
SCIENCE AND PHILOSOPHY | E | * | | * | | | * | | | * | |
SELECKTED SHORT STORIES OF GERMAN LITERATURE | E | | | * | * | * | * | * | * | | |
SELECTIONS FROM THE WORLD LITERATURE | E | | | | | | | | * | | |
SETTLEMENT CULTURE | E | * | * | * | * | * | * | * | * | * | * |
SIBERIAN FOLK CULTURE AND SHAMANIZM | E | | * | * | | | * | * | * | * | * |
SOCIAL PSYCHOLOGY | E | | * | * | | * | | | | | * |
SOCIETY AND CULTURE | E | | | | | | | | | | |
SOCIETY AND SCIENCE | E | | | | | | * | | * | | |
SOCIOLOGY OF CONTEMPORARY EVENTS | E | * | * | * | * | * | * | * | * | * | * |
SWIMMING | E | * | | * | | | | | | | |
TECHNICAL ENGLISH | E | | | * | | | | | | | |
TENNIS | E | * | * | * | * | | | | | | |
THE GEOGRAPHY OF EURASIA | E | * | * | * | * | * | * | * | * | * | |
THE GEOGRAPHY OF TURKEY | E | | * | * | * | * | * | * | * | * | |
THE HISTORY OF CONTEMPORARY PHILOSOPHY AND TEXT | E | | * | * | * | | | | | | |
THE TWENTIETH-CENTURY TURKISH POETRY | E | | | | | | * | | | | |
THEORY OF RINGS AND MODULES | E | | * | | | | * | | | | |
TRACK AND FIELD | E | * | * | * | | | | | | | |
TURKISH ART MUSIC CHORUS | E | | | | | | * | | * | | |
TURKISH FOLK MUSIC CHORUS | E | | | | | | * | | | | |
TURKISH FOREIGN OF TODAY THE DATE | E | * | * | * | * | * | * | * | * | | |
TURKISH LANGUAGE AND CULTURE RESOURCES | E | | | | | | | | | | * |
TURKISH LANGUAGES FACE RISK OF DISSEPEAR | E | | | | | | | | | | |
VOLLEYBOL | E | * | * | * | | | | | | | |
WORKERS HEALTH AND WORK SAFETY | E | | | | | | | | | | |
WORLD MYTHS | E | | | | | | | | | | |